Un Coeur En Hiver

A Heart in Winter - a Romance in Facade....

"In speaking, one risks sounding stupid. Not speaking, one may appear intelligent."

"Maybe one is simply afraid...."

One of my favourite lines in the film, it underlines the relationship between Stephane and Camille as they try to meander a path towards a chance for love - unfortunately never as one, always in twain....

And thus it begins. A violin maker, Stephane (Daniel Auteuil), is introduced to his partner's new muse and girlfriend, upcoming violinist Camille (Emmanuelle Béart).

From a professional relationship tending to the strings on Camille's violin, the emotionless and reticent Stephane slowly and unwittingly draws the beautiful Camille into a web not of flame, but of an empty black hole.

All the passion in the world cannot ignite poor Stephane's cold, cold heart, and it is Camille's that is left ultimately shattered - not because Stephane would not receive her love - he does not know how....

The immaculate, the beautiful Emmanuelle Béart as Camille - enchantée....

And Daniel Auteuil is Stephane, the emotionless heart in winter....

André Dussollier plays Maxime, the butler to Stephane's and Camille's romance. 

I seem to have a thing for romantic films with unfulfilled, or unrequited love. The 1992 film, A Heart in Winter, has now topped the list with a tour de force in non-romance and no-end-result.

Not that it matters as it is the process, not the consequence, that engages us. The looks each gives the other, the distant pining, the expressionless Stephane and the emotionally frustrated Camille....

The story may be touted as a love triangle, but make no mistake about it, even if André Dussollier performs well as Stephane's business partner and Camille's initial love interest, the film is about Stephane and Camille. 


The silence, the tension, the seemingly impassable void between them; the storm that brews when they do try to connect - the world just stops spinning and centres on Stephane and Camille whenever they are in the same room. 

First Attraction

Then, a walk in the rain....

And the last hurrah.

If you fancy a light-hearted romp of a romance, then this is certainly not the film for you. But if you can appreciate a story with intricate emotions, played out over the music of Maurice Ravel; and if you allow it to breathe - like a glass of very fine wine - then it might just simply take your breath away.

As it did mine.

Alone again, naturally....

Moometer Reading:
Moo-oo-o..!!!

Exclamations for:

! Outstanding Actor: Some might argue that it is easy to play a role where little expression is needed. But it is the conveyance of an emotion in such little breadth of expression that takes a master to accomplish. Daniel Auteuil here does this exceedingly well - although if you were to ask me - I have no idea why. He just does....
! Outstanding Actress: But the kudos go to the ever lovely Emmanuelle Béart. She is the opposite of Auteuil. The way she juggles her feelings of desire, frustration, her own coolness, her slight smiles, her concentration in music, those soulful eyes, those lips, the warmth and passion she exudes, et al - it is simply beautiful to watch. I will freely admit I am somewhat biased in my adulation for Béart, but how can I help myself?
! Outstanding Chemistry: The entire film makes or breaks on the chemistry between Auteuil and Béart, so this is certainly worth a shout. Never have I seen such romantic tension between two characters who never really do make out. An excruciating, yet exhilarating, experience....

FEATURE: Emily Brontë's Wuthering Heights

Before The English Patient there was Emily Brontë's Wuthering Heights

One of my favourite movies of all time is The English Patient. It was this film that introduced me to the immense talents of Ralph Fiennes and Juliette Binoche.

But The English Patient was not the first pairing of the two actors. Nor was it the first story to feature a tragic hero fallen from grace by an all-consuming passion.

For that we have to go back to the literary classic of Emily Brontë's Wurthering Heights. That is actually the title of the Paramount Pictures film adaptation to Wurthering Heights the novel (Metro-Goldwyn-Mayer owned the rights to the original title due to their 1939 version).

In a sense, it is an apt title for the film, for it acknowledges the genius of Emily Brontë, the lesser known sister of Charlotte Brontë, whose own novel Jane Eyre stands as one of the most famous in English literature.

Likewise, this 1992 film adaptation was also not quite as well known as the blockbusters of its day, and yet there are several reasons to try and catch it, not least because it was Ralph Fiennes' film debut, and his role as the tragic villain Heathcliff led to later reknown in his portrayal of Amon Goeth in Steven Spielberg's Schindler's List.

The film begins with a young unnamed woman (Emily Brontë played by Sinéad O'Connor), who visits an abandoned and rundown manor in the moors, and imagines a tale of what might have been....

Without going into detail on the story, Wikipedia probably describes both the film and novel best, as a narrative that "tells the tale of the all-encompassing and passionate, yet thwarted, love between Heathcliff and Catherine Earnshaw, and how this unresolved passion eventually destroys them and many around them."

Unlike earlier versions, the story in Emily Brontë's Wurthering Heights spans the full novel, telling the tale of not only Heathcliff (Ralph Fiennes) and Catherine (Juliette Binoche) but also of their descendants. Earlier versions had only focused on Heathcliff and Catherine (the senior).

What makes this film a must watch is also what makes the novel a must read. It is the story itself, so unusual in its dark, almost Gothic setting - and the terrible, terrible destructive love shared between the two lead characters.

The novel, as is the film, is everything that is negative; it stands against the goodness of man. Again and again the word 'destroy', for it destroys - the lives of those who have the misfortune of being related to Heathcliff and Catherine. And yet despite the inherent selfishness of the two lovers, how can one not realise the deep love and pain suffered by them? How can one not empathise?

"I am Heathcliff," Catherine Earnshaw proclaims, while Heathcliff himself thinks likewise.

"How can I live without my love; how can I live without my soul?" is his lament.

And of course, the performance of Ralph Fiennes - Ralph Fiennes IS Heathcliff. It is almost impossible after watching this version, to imagine any other actor portraying the dark, vengeful anti-hero.

Binoche too, is excellent in her dual roles of Catherine Earnshaw and her daughter, also called Catherine, or Cathy. The chemistry is also exemplary. My only grouse perhaps is that both Fiennes and Binoche looked a tad too old for their characters during younger days.

Set against the backdrop of a dark, lonely moor; and accompanied by a haunting Scottish soundtrack, Emily Brontë's Wurthering Heights is the definitive version of Brontë's novel, a classic hailed by some critics as superior even to Jane Eyre.

You may not have the patience for the novel, but watch it, for it is indeed, Emily Brontë's Wurthering Heights.


MooMeter Reading:Moo-oo-o..?!!

Exclaimations for:! Outstanding Storytelling: The story was all Brontë's - but kudos too to the film for managing to squeeze in the entire novel. The 1939 version only focused on the first generation story.
! Outstanding Actor: Ralph Fiennes IS Heathcliff. Period.
! Outstanding Soundtrack: The Soundtrack by Ryuichi Sakamoto is sad, haunting, and seems to whistle over the empty, desolate moors - a perfect blend with the Gothic elements in the cinematography.
Query for:? Missing Scene: In one famous scene, Heathcliff's reaction to overhearing Catherine's declaration that she was too good for him, seems to be conspicuously missing. Is it also not in the novel? But even then, visually it should still have been in the film.

FEATURE: Love of Siam - A mature film on teen angst and sexuality....

From top left in clockwise: Wiwisit Hiranyawongkul, Kanya Rattanapetch, Aticha Pongsilpipat and Mario Maurer....

I find I always enjoy films that are refreshingly frank and honest in the way they address societal and reality issues.

That, aside from the film's eye candy (of which there are aplenty), I would say is one of the chief strengths in Love of Siam, a 2007 multiple award-winning Thai film.

Tong (Mario Maurer) and Mew (Wiwisit Hiranyawongkul) are boyhood friends who find themselves separated after a tragic disappearance in Tong's family. Years later, while in their teens, Tong and Mew meet up again, both having moved on in their lives. Tong has a very pretty girlfriend, while Mew is an aspiring musician with a successful boyband, August.

Yet neither is fully happy with his life. Tong's family is still struggling to cope with the loss of Tong's missing sister; Mew is finding it hard to find new inspiration for his songs. Their reunion however, helps bring back the memories and forces them (and Tong's family) to come to terms with their respective problems.

Teen drama that tugs on heartstrings....

Four gorgeous teens play starring roles in this romantic teen drama - but Love of Siam isn't just about these four, but also about the people around them, and the sometimes adult issues that face them as they grapple around with their own unadulterated lives.

In fact, what impresses me deeply is how each main character has his or her own storyline/issue fleshed out throughout the film.

It is almost an ensemble cast, each character almost equally good in his/her respective role - though kudos must also go to Sinjai Plengpanich who won Best Actress at the Thai film awards for her role as Tong's mother.

But what clinches it must be the controversial element in the story. I could use just one word to describe this movie, and everyone would understand immediately.

But I find myself agreeing with the producers of the film and director Chookiat Sakveerakul, who touted it a teen romance cum family drama.

Don't let that fool you though - viewers have apparently walked away from cinemas in disgust. There's a reason why this film will never be shown in some countries, including a fairly cosmopolitan and neighbourly Singapore.

Yet despite the controversy, Love of Siam has garnered critical acclaim and dominated the 2007 Thai film awards season - and for good reason.

Indeed, Love of Siam stands out as a drama film in a Thai industry better known for its horror, action or comedy genres.

Let me put it to you straight - it is definitely worth a watch so long as you allow yourself to keep an open mind. After all, it's the least a film - one that doesn't shy from the issues explored in this story - can expect.

MooMeter Reading:
Moo-oo...!!?

Exclaimations for:
! Outstanding Supporting Actress: The Thai Awards seem to recognise (rightfully) serious performances, but Kanya Rattanapetch as a lovelorn but happy-go-lucky schoolgirl is a breath of fresh air....

! Outstanding Theme Song (for your enjoyment below....)

Query for:

? Moovy Revue is not about to reveal the spoiler-worthy controversial element - but you can guess with a little bit of attention... or googling....

Love of Siam OST (Music Video) from youtube

He's Just Not That Into You: Doesn't quite get into it....

The men just don't get it. So I guess that's why we have this film to show us guys the ladies' side of things.

Apparently the women don't get it either. At least Gigi (Ginnifer Goodwin) doesn't, plus a whole host of her female friends in this romantic comedy ensemble about why he's just not that into you.

In Gigi's case, it's Connor (Kevin Conolly), from whom she's waiting for a follow up call after a date. So it's down to Alex (Justin Long) to educate her on a few of life's simple truths.

"If he wants to see you, he'll make it happen."

And all of a sudden, Alex becomes her love guru.

Connor on the other hand, has the hots for the lovely Anna (Scarlett Johansson) who's been blowing hot and cold. She has a friend Mary (Drew Barrymore), whom Connor has never met, but who is helping him with his Real Estate promotion.

Anna actually likes Ben (Bradley Cooper), who wants to keep the faith with wife Janine (Jennifer Connelly), but admits he was forced into marriage before he was ready. Janine however, seems more preoccupied with home renovations plus an unhealthy obsession with her husband's smoking habits.

Meanwhile, Ben's friend Neil (Ben Affleck), and Gigi's colleague Beth (Jennifer Aniston) have a long-time relationship going, but she is giving an ultimatum - too bad he isn't keen on getting married at all.

And oh, there's another thing about Mary. Apparently she's really into online relationships....

Goodwin, Aniston and Connelly: Guys just aren't that into them....

If you think the plotline's convoluted, that's because it actually is.

Yet somewhere through all the complicated and intertwined relationships, the movie and characters do eventually sort themselves out.

Couples get together, break up; pieces fall into place and life goes on.

They do have a Brit version you know - one with a bit more gender equality. It's called well... Love Actually....

It's a pity then that this film quite fails to deliver where the Brit counterpart did so well.

To be fair, the issues are different. But somehow stereotypes abound on an otherwise excellent ensemble cast that should have been fail-safe.

But instead we have characters like Gigi who just appears silly for her unwarranted faith in men, or Anna who insists on being the vixenous third party, and Janine, who just seems to miss the point completely.

I'm sorry then to have to say that, despite the presumably happy endings and it being supposed to be a chick flick and all - well, some men may be jerks - but the movie just doesn't reflect well on the ladies.

Guys must walk out of the theatre thinking that women are a neurotic bunch.

Perhaps, it is like as aforesaid. The men just don't get it.

But if that is so, maybe it's high time the girls learnt that - he's just not that into you....

MooMeter Reading:
Moo-o..